In 1977, Robben Ford assembled a group of veteran session
musicians to record his album The Inside Story. The trio of musicians, which
included keyboardist Russell Ferrante, bassist Jimmy Haslip and drummer
Ricky Lawson, soon discovered a certain "chemistry"
and musical affinity that led to their formation of Yellowjackets. The
Inside Story being mainly instrumental, Robben Ford's record label wanted
him to record another album that was more pop and vocal oriented. The group,
known as the Robben Ford Group, preferred to pursue the instrumental route,
and a "band within a band" was formed. This same group with Robben Ford on
guitar recorded digital demos that were eventually accepted by Warner
Brothers, and Yellowjackets was born. While Robben's contributions would
diminish over the years to being a guest artist, the group known as
Yellowjackets would flourish.
Their debut album Yellowjackets made
serious waves in jazz radio, garnering public and critical acclaim. Mirage A
Trois followed in its footsteps. While they went on a brief hiatus to pursue
other projects, they reassembled in time for the 1984 Playboy Jazz Festival,
adding percussionist Paulinho Da Costa and their new lead voice, sax man
Marc Russo. This landmark concert paved the way for their eventual success
both on the Billboard Jazz charts and concert venues around the world, and
resulted in the third spicy Yellowjackets album Samurai Samba. 1986 saw the
group moving over to MCA Records to record Shades, the title track being
written by Donald Fagen (of Steely Dan fame) as a tribute to the many "shades"
he heard in the group's music.
With their album Four Corners, Ricky Lawson
departed to join Lionel Richie's touring band and was replaced by the
versatile William Kennedy. This rock-solid lineup took the Yellowjackets
into new territory, exploring world beats and densely-populated soundscapes
that reflected a growing maturity in their music. Politics, the follow-up to
Four Corners, mellows out, and the group sheds some of the electronic
elements and starts exploring acoustic sounds. Marc Russo's final recording
with Yellowjackets, The Spin, was recorded in Oslo, Norway by noted engineer
Jan Erik Kongshaug (well known for his work on the ECM label), and the
Jackets proved that they could belt out acoustic jazz with the best!
Greenhouse ushered in a new era. With Marc
gone, the Yellowjackets trio would record one of their most adventurous
albums to date, featuring ace big band arranger and saxophonist Bob Mintzer
on many of the tracks, and string accompaniments on a handful of others.
Shortly thereafter, Bob Mintzer became a bona fide member of Yellowjackets.
The Jackets also recorded on one of Bob Mintzer's dmp Records projects, One
Music. Live Wires captures the group in concert with Mintzer at the helm.
The two albums that followed, Like A River and Run For Your Life, reflected
a growing interest in straight-ahead acoustic jazz.
With 1995's Dreamland, Yellowjackets returned to
their first record label, Warner Brothers, producing their most relaxed, and
relaxing, recording to date. Blue Hats is more spontaneous than its
predecessors, musically rich and particularly revealing in showing how
Yellowjackets have evolved since that landmark first album. Club Nocturne,
their latest studio recording, achieves great crossover appeal with the
guest vocalists Kurt Elling, Jonathan Butler and Brenda Russell. And while
the Yellowjackets of today sound little like the original Yellowjackets from
fifteen-plus years ago at first listen, the unmistakable talents of the
individuals involved still have the unique signatures that shine through
regardless of their musical setting, whether it be blistering-hot fusion or
full-blown acoustic jazz. In other words, their music has evolved and
matured considerably, but there's no mistaking that it is Yellowjackets you